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The combination of Beethoven’s and Ries’ works may seem obvious. After all Ferdinand Ries was one of Beethoven’s best-known pupils but mainly because he was otherwise involved with the work of his (former) teacher as well.
The most striking result of this juxtaposing is the contrast between the music of both composers. Even though being the pupil Ries’ music with its flowing melodies much more conforms to the classical tradition of the time than do the works of his teacher. One of the later (more romantic) works being a trio version of his Septet opus 20.
For these recordings Belgian clarinettist Vlad Weverbergh has chosen some early chamber music by Beethoven. Together with Vasily Ilisavsky, piano and Benjamin Glorieux and Jadranka Gasparovic, cellos, he also performs Ries’ opuses 28, 29 and 169.
These two CD’s present an interesting view on master and pupil. The relatively simple music is enhanced by the excellent performances.
Track listing:
CD 1
Ludwig van Beethoven (1770–1827)
TRIO for piano, clarinet & cello in E flat major Op.38
(arrangement of the Septet Op. 20)
1. Adagio-allegro con brio 7:31
2. Adagio cantabile 7:45
3. Tempo di menuetto 2:59
4. Andante con variazioni 6:51
5. Scherzo 3:15
6. Andante con moto alla marcia-presto 7:10
TRIO for piano, clarinet and cello in B flat major Op.11
“Gassenhauer Trio”
7. Allegro con brio 6:42
8. Adagio 4:36
9. Allegretto 6:20
Vlad Weverbergh, clarinet
Benjamin Glorieux, cello
Vasily Ilisavsky, piano
CD 2
Ferdinand Ries (1784 - 1838)
TRIO for piano, clarinet & cello in G minor Op.28
1. Allegro 9:25
2. Scherzo 4:41
3. Adagio 3:38
4. Rondo 6:38
SONATE SENTIMENTALE for clarinet & piano
in E flat major Op.169
5. Allegro moderato 6:25
6. Adagio con moto 5:41
7. Rondo 6:24
SONATA for clarinet & piano in G minor Op.29
8. Adagio-allegro 12:31
9. Adagio con moto 4:28
10. Adagio-allegro non troppo 7:15
Vlad Weverbergh, clarinet
Jadranka Gasparovic, cello
Vasily Ilisavsky, piano
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